New Alman (Almande Novelle)

Date:
Late 16th to early 17th century (c. 1599–1611)

Description:
“New Alman” is a popular English Renaissance dance tune, most famously associated with John Playford’s later The Dancing Master collections, though earlier manuscript versions exist. The term “Alman” (also spelled “Almain”) refers to a type of stately duple-time dance of German origin, adopted into English courtly and domestic repertoire. This piece is typically instrumental and features a graceful, measured rhythm suitable for courtly dance.

Discussion:
The New Alman was well known in its time and appears in various lute and keyboard sources, including the Fitzwilliam Virginal Book and Holborne’s Pavans, Galliards, Almains and other short Aeirs. Its straightforward rhythm and elegant melody made it suitable for both dance and entertainment in private households. The music exemplifies the stylised dance traditions of the English Renaissance, often played on lute, viols, virginals, or recorders.

The name “New Alman” distinguishes it from older or more familiar versions of the Alman. It was a form subject to variation and improvisation, and its popularity led to many arrangements.

Composer:
Anonymous (often attributed to the English tradition; versions possibly arranged by composers like Anthony Holborne)

Arranged by:
Numerous early and modern arrangers, including settings for lute, keyboard, and small ensemble
The arrangement we use is arranged by Joseph Casazza

Sheet Music:
Found in historical collections (e.g. Fitzwilliam Virginal Book, Holborne’s works) and modern anthologies of Renaissance dance music
The arrangement we use is available here as a  pdf or musescore file.

Parts:
Typically instrumental; adaptable for solo lute, keyboard, or small consorts (e.g. recorder, viol, or mixed instruments)

Type:
Instrumental dance music (Alman / Almain)

Language:
Instrumental (no lyrics)

Ranges:
Melody typically spans a 9th or 10th, playable by most treble instruments; harmony parts often fit comfortably for viol or keyboard

Advice for beginners:
The duple metre and predictable phrase structure make this an excellent piece for those new to Renaissance dance music. Focus on clean articulation, especially for keyboard or plucked instruments. If playing in ensemble, maintain tight rhythmic coordination to reflect the piece’s courtly dance origin.

Sound Files:
Here are some sound files for reference. All parts, 1st line, 2nd line, 3rd line , 4th line

• Dance